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Additionally, it will also repair the OS in case if it has been damaged before. Here's a fast and effective solution to reinstall macOS on your system. Firstly, restart your Mac from the Finder or power it on if it isn't already. While your Mac would restart, press and hold the Command + R keys to boot it in the Recovery Mode.
'Knights of Cydonia' | ||||
---|---|---|---|---|
Single by Muse | ||||
from the album Black Holes and Revelations | ||||
B-side | 'Assassin' (Grand Omega Bosses Edit) | |||
Released | 27 November 2006[1] | |||
Recorded | 2005 | |||
Genre | ||||
Length |
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Label | ||||
Songwriter(s) | Matt Bellamy | |||
Producer(s) |
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Muse singles chronology | ||||
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Alternative cover | ||||
7' Single | ||||
The 'Knights of Cydonia' 7' cover |
This is a remix of the Close Encounters alien communication five notes. Created on Reason and using only the five tones. Tribute to John Williams. Even more close listening follows, as Wilson lines up the original stereo mixes to compare them with the master-take multitracks. This is a slow, painstakingly intense part of the process. 'I start listening to 10, 15 seconds at a time, and it'll be 'Oh yeah, the guitar's muted for those first four bars of the second verse, so I need to do that. Watch trailers, read customer and critic reviews, and buy Close Encounters of the Third Kind directed by Steven Spielberg for $17.99. You can use the Photos app to import photos from your iPhone, iPad, or iPod touch to your Mac. Connect your iPhone, iPad, or iPod touch to your Mac with a USB cable. Open the Photos app on your computer. The Photos app shows an Import screen with all the photos and videos that are on your connected device.
Mystery mansion mac os. 'Knights of Cydonia' is a song by English alternative rock band Muse and is the closing track on their 2006 album Black Holes and Revelations. The song's title comes in part from the region of Mars named Cydonia, famous for the 'face on Mars'.
History[edit]
The radio edit version was first aired on KROQ-FM radio on 6 June 2006, and released to other radio stations in the United States on 12 June 2006. Tonika mac os. The song was released as the third single from Black Holes & Revelations in the UK on 27 November 2006, debuting at No 10 in the UK Singles Chart (see 2006 in British music).[2] It also hit the No. 10 spot on the Billboard Modern Rock Tracks chart in the United States, becoming their third top-ten hit on that chart. The song was described by BBC Radio 1 DJ Annie Mac on 27 October 2006 as ‘six minutes and seven seconds of pure genius’. In 2007, Eve of Summer recorded a remix.
The first live performance of 'Knights of Cydonia' took place at a BBC Radio 1 event, Radio 1's Big Weekend, held at Camperdown Park in Dundee on 13 May 2006. Also performed at this event were 'Supermassive Black Hole' and 'Starlight', the first two singles from Black Holes and Revelations. Live performances of 'Knights of Cydonia' give Matt Bellamy's intro falsetto more prominence than its studio counterpart, along with Dominic Howard's introductory drum pattern being included in the performance. Since 2008, live performances have included an introduction of Ennio Morricone's 'Man With a Harmonica' from Once Upon a Time in the West where bassist Chris Wolstenholme plays a harmonica piece. Other live additions include Bellamy playing an extra guitar part during the solo at the end of song, Howard ending the song with a short drum solo and the coda of 'Space Dementia' played as a finale.
In 2007, 'Knights of Cydonia' was the number-one song in Australia's Triple J Hottest 100. The song was also ranked No. 18 in the Triple J Hottest 100 of All Time, 2009 and No. 53 on Rhapsody's list of the Top 100 Tracks of the Decade.[3] In October 2011, NME placed it at number 44 on its list '150 Best Tracks of the Past 15 Years'.[4]
Composition[edit]
The intro, as performed on the live album H.A.A.R.P, is a citation of the five tone musical phrase from the film Close Encounters of the Third Kind. The song uses synthesised and live trumpet parts overlaid with vocals from both Matt Bellamy's higher and lower reaches spanning B3-E5. The guitar sound in the song was inspired by the 1962 number one hit 'Telstar' by The Tornados (George Bellamy, Matt Bellamy's father, was the band's rhythm guitarist).[5] The song, taken in entirety, also bears a striking resemblance to George Bellamy's composition 'Ridin' the Wind'. The first noise heard in the song is an explosion, then a horse neigh. The first 2:03 of the song is a guitar solo to the tune of the lyrics, before Bellamy sings 'Come ride with me, through the veins of history.'
Bellamy has stated that on the album in general he tried to create a vision of what is occurring in the song. For example, the bassline has a galloping rhythm resembling someone riding a horse.[6]
Music video[edit]
The Knights of Cydonia video was shot over five days: three days in Romania; one day in London; and one day in Red Rock, California; it was made available on 11 July 2006. It was filmed and edited as a thematic smörgåsbord: a Spaghetti Western film with post-apocalyptic influence, complete with beginning and end credits, livened with the occasional kung-fu cowboy or metal-clad maiden astride a unicorn. The presence of futuristic elements such as robots and ray-guns may indicate that the town 'Cydonia' is meant to be located on a terraformed Mars. At the end of the video one can see Roman numerals MCMLXXXI which translates as 1981. However, in the introduction of one version of the video, the numerals MCLMXXXI are seen,[7] which despite claims that it could equal 2081 (MMLXXXI) or 1881 (MDCCCLXXXI), is not a valid Roman numeral. However, other versions show MCMLXXXI in both places.[8]
The video was directed by Joseph Kahn, and stars British actor Russ Bain as the protagonist (The Man With No Name), Richard Brake as the antagonist (Sheriff Baron Klaus Rottingham), and Cassandra Bell as the love interest (Princess Shane Kuriyami). Throughout the video, the actors mouth out the lyrics, such as Russ Bain pilloried in town square mouthing ‘No one's going to take me alive’, and Cassandra Bell at the gallows ‘You and I must fight for our rights’. In both instances, the mouthed words occur after the song lyrics and complete before the song moves on to the next line. The band appears in some scenes, partly as holograms. Additionally, the population of the town Cydonia is 143, a common symbol for 'I love you',[9] although the actual meaning is unknown.
A very brief scene in which Bain has sex with his love interest was edited out of the video for presentation on television. The complete, uncensored version is available for viewing at the Director's website, and at YouTube.com. In the scene where Bain has sex, the camera crew can be intentionally seen in the mirror left of the bed.
In the first minute of the video, the words A Gustof von Musterhausen Production appear in a pink background for a few seconds. Musterhausen appears to be a fictional person, although there is a MySpace page[10] for one Gustaf von Musterhausen (not Gustof), which seems to be solely dedicated to providing information about the video.
Remixes[edit]
A remix of the song was released as Future Funk Squad vs. Muse – 'Knights Of Cydonia' (Breaks Mix).
An unlicensed remix by Feed Me was released as a white label single. There is also an unlicensed remix which was released on the Crisp Biscuit label, entitled 'Knights of Itchy Town'.
A remix by Simian Mobile Disco titled Knights of Cydonia (Simian Mobile Disco Remix) is also included on Muse's Invincible EP, released in 2007. The song, however, utilises very few elements of the original song.
Oakland hip hop group Zion I released a notable remix of the song in 2008.[11]
A 'Nostalgia Dubstep' remix of this song has been utilised in Jason Charles Giles' animated short Dubstep Dispute that in turn was played on Cartoon Network in 2013, specifically Adult Swim's Off the Air episode 'Light'.
A remix by Gramatik was released in the 'Official & Bootleg Remixes, Colabs & Rare Tracks' album in 2012.[12]
A cover of the song was recorded by the ska band Demon Waffle and released on their album Drink Your Dinner in 2017.
Track listing[edit]
- Promo PRO-16112
- 'Knights of Cydonia' (radio edit) – 4:48
- US Promo CD-R PRO-CDR-101829
- 'Knights of Cydonia' (radio edit) – 4:42
- 'Knights of Cydonia' (album version) – 6:07 (6:06.863)
- 7' HEL3004, Digital download
- 'Knights of Cydonia' – 6:07
- 'Assassin' (Grand Omega Bosses Edit) – 5:19
- CD HEL3004CD
- 'Knights of Cydonia' – 6:07
- 'Supermassive Black Hole' (live from the Campo Pequeno in Lisbon)
- DVD HEL3004DVD
- 'Knights of Cydonia' (video) – 6:07
- 'Knights of Cydonia' (audio) – 6:07
- 'Knights of Cydonia' (the making of) – 10:59
- Gallery
Chart performance[edit]
Prior to its entry in the Singles Chart, 'Knights of Cydonia' had been active in the Downloads Chart, and sat at No. 41 the same week that the physical release debuted at No. 10 in the Singles Chart. Three weeks earlier, the song sat at No. 104 in the Downloads Chart marking a substantial jump in that time period. The song also reached number 2 in the charts in both Flanders and Wallonia of Belgium. It peaked at number 20 in Norway.
The song was the winner of Triple J's annual Hottest 100 countdown for 2007 winning by only 13 votes, and later was voted No. 18 in 2009's Hottest 100 of All Time countdown, where it was the second-highest ranked song from the 21st century.
Charts[edit]
Weekly charts[edit]
| Year-end charts[edit]
|
References[edit]
- ^Knights of Cydonia - EP by Muse on Apple Music Retrieved 24 January 2017.
- ^'Muse ready new single'. NME. UK. 9 October 2006. Retrieved 9 October 2006.
- ^'Archived copy'. Archived from the original on 20 February 2012. Retrieved 22 February 2012.CS1 maint: archived copy as title (link)
- ^'150 Best Tracks Of The Past 15 Years'. Nme.Com. Retrieved 18 June 2014.
- ^'2006 in Review'. Kerrang (1138). 16 December 2006. p. 45.
- ^Retrieved on 2008-11-10Archived 22 January 2009 at the Wayback Machine
- ^'Muse - Knights Of Cydonia (Video)'. YouTube.
- ^Muse Website - Knights of CydoniaArchived 18 April 2010 at the Wayback Machine
- ^'143 and the 'I Love You' Lighthouse, Minot's Ledge'. 8 June 2007.
- ^Gustaf von Musterhausen's MySpace page
- ^Courtesy Of: Noah Buckley. 'That's That..: Zion I vs. Muse - 'Fight For Your Right RMX''. Thatsthatish.com. Retrieved 18 June 2014.
- ^'Knights Of Cydonia (Gramatik Remix) by Gramatik on Official & Bootleg Remixes, Colabs & Rare Tracks - Free Music Streaming, Online Music, Videos'. Grooveshark. Retrieved 18 June 2014.[permanent dead link]
- ^'Official Singles Chart Top 100'. Official Charts Company.
- ^'Official Singles Downloads Chart Top 100'. Official Charts Company.
- ^'Muse Chart History (Alternative Airplay)'. Billboard. Retrieved June 13, 2011.
- ^'Top AFP - Audiogest - Top 3000 Singles + EPs Digitais'(PDF) (in Portuguese). Associação Fonográfica Portuguesa. Retrieved 16 December 2020.
External links[edit]
- Lyrics of this song at MetroLyrics
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Knights_of_Cydonia&oldid=1020492851'
Home > Articles > Apple > Operating Systems
␡- Fonts in Mac OS X: Font Formats
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This chapter is from the book Mac OS X Disaster Relief, Updated Edition
This chapter is from the book
This chapter is from the book
Fonts in Mac OS X: Font Formats
Given the complexities involved, Apple did a great job of implementing fonts in Mac OS X. For the casual user of Mac OS X, working with fonts included in Mac OS X is as simple as selecting a font and using it. The user will also be able to switch to different languages with greater ease than in Mac OS 9. But for users who want to add and delete their own fonts, who have problems getting certain fonts to work, or who have troubleshooting symptoms that may be font-related, this section provides essential background.
More than one type of font can be used on a Macintosh. As font formats are not a Mac OS X-specific issue, I will not go into great detail on font formats for this Mac OS X book. But especially for those who are new to the subject, following is a brief overview.
TrueType fonts
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TrueType fonts are Apple's preferred type of font for Mac OS X. Most or all of the fonts that ship with Mac OS X are TrueType fonts. With TrueType, the font displays and prints smoothly (with no irregular jagged edges), no matter what size (such as 10 point vs. 13 point) or style (such as plain text vs. bold) you select.
For this feature to work, you need only a single font file for a given TrueType font. However, there will often be separate style variations within a font file (such as Times Italic and Times Bold). Without these variations present, you will not be able to select different styles for a given font in most Mac OS X applications.
Windows PCs can also use TrueType fonts, but a Windows TrueType font file has a somewhat different format from a Mac TrueType font. Fortunately, Mac OS X recognizes the following Windows versions of TrueType fonts: TrueType fonts (with the extension .ttf) and TrueType collections (with the extension .ttc). Note: Mac OS X believes that any font with a .ttf extension is a Windows TrueType font, so don't use this extension for Mac TrueType fonts.
PostScript fonts
These font files contain the PostScript instructions needed to print to PostScript-supported printers. If you don't have a printer that includes PostScript support, you are better off avoiding PostScript fonts and sticking with TrueType ones, if possible. No PostScript fonts ship with Mac OS X, but you may have some in your Mac OS 9 System Folder or may have added PostScript fonts to your Mac OS X System folder.
In Mac OS 9, you could not display PostScript fonts on the screen. PostScript fonts are printer font files that contain instructions only for printing the text to a PostScript printer. A matching screen font version (either a bitmap or TrueType version) was needed for display. This screen/printer font pairing did not always work well. Often, what you saw on the screen was different from what was printed. This situation improved significantly with the release of Adobe Type Manager (ATM). This utility uses the PostScript printer's font instructions to display the fonts on the screen.
ATM does not work in Mac OS X, but it is not really needed. Whereas Mac OS 9 used a technology called QuickDraw to display fonts, Mac OS X uses Quartz. Quartz can display PostScript printer font information with no additional software (such as ATM) required. Note: ATM still works in Classic for displaying text in Classic applications.
You may still need at least one matching TrueType or bitmap font to get some PostScript fonts (with a type of LWFN, as displayed by a utility such as XRay) to be listed in Fonts menus. PostScript fonts of the SFNT type should work without any separate matching version needed.
PostScript Multiple Master fonts (font files that end with MM) are not yet supported in Mac OS X.
OpenType fonts
This font format is relatively new, designed jointly by Microsoft and Adobe. A touted advantage of OpenType is that the same font file works on both the Mac and Windows platforms. At this writing, most Mac users still use TrueType instead of OpenType. OpenType fonts typically have the extension .otf. Microsoft started OpenType as an attempt to free itself from its dependence on Apple's TrueType. In a sense, the two formats are competitors.
Bitmap fonts
These fonts are the oldest type of fonts and are rarely used anymore. These fonts require a separate file for each size of the font (Times 10, Times 12, Times 14, and so on). If you select a size that does not have a separate file, the font will be jagged.
Although you may get these fonts to work in Mac OS X, especially when you're working in Classic, they are not supported, so you should avoid them. Especially avoid older bitmapped versions of Chinese/Japanese/Korean/ Vietnamese language fonts; these fonts will not work in Mac OS X. Also, older bitmapped fonts of the type FONT are not supported. The adventures of wolf and hood - a jigsaw tale (itch) mac os. Fonts of the type NFNT are supported for Classic/QuickDraw applications but ignored by applications based on Cocoa (such as TextEdit).
TAKE NOTE
True Type fonts, in Chapter 3, for more information on type and creator codes.
Figure 4.13 The FileXaminer utility, showing the type, creator, and extension data for two TrueType fonts: (left) a dfont file in the System folder Library and (right) a OS9-type file in the User's Home directory Library.
Close Remixes Of The Third Kind Mac Os Sierra
TAKE NOTE
Font Suitcases
In Mac OS 9, a font could exist as an individual file or as one of several font files in a font suitcase. Mac OS X does not make this distinction as clearly. In particular, a font suitcase file in Mac OS X typically appears in the Finder exactly as a single font file does. In describing fonts in Mac OS X, Apple often uses the term suitcase to refer to virtually all font files.
Similarly, in Mac OS 9, if you wanted to remove a font file from a font suitcase, you could double-click the suitcase icon to open a window displaying its contents. Then you could drag a font file from the suitcase to remove it. You cannot do this in Mac OS X.
Thus, to remove a font from a suitcase file, the simplest approach is to reboot in Mac OS 9 and modify the font suitcase as desired via the Finder. Otherwise, you may find utilities that let you do this from Mac OS X (either in Mac OS X itself or via Classic), but I have not found any good ones so far.
A suitcase can contain unrelated fonts (such as Times and Helvetica). As a result, I prefer not to include mixed suitcases in Mac OS X, as the name of the font will likely give no clue about the variety of fonts within. In general, restrict suitcase files to the Mac OS 9 Classic System Folder, assuming that you need to use them at all.
More generally, it's wise to avoid as many Mac OS 9 Fonts as possible. These older fonts remain a too-common source of problems.
SEE
'Check fonts,' in Chapter 5, for more on troubleshooting font problems.
Figure 4.14 An Error message that may appear when you try to open a font in Mac OS X.
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Figure 4.15 (Left) TrueType font file icon and font suitcase icon as viewed when booted in Mac OS 9; (right) the icons for the same files after rebooting in Mac OS X.
TAKE NOTE
Opening Font Files in the Finder
In the Mac OS 9 Finder, if you double-clicked an individual font file, a window displayed what the characters in that font looked like. If you double-clicked a font suitcase, it opened to list all the fonts in that suitcase.
In Mac OS X, this method no longer works. Typically, double-clicking most types of font files in Mac OS X leads to an error message, stating,'There is no application available to open document {name of font}.' If you happen to have the ancient Font/DA Mover utility on your drive, fonts may launch that utility in Classic; but don't expect it to work very well.
If you want to duplicate the Mac OS 9 Finder feature for fonts, the best solution I have found is a freeware utility called X Font Info. If you drag any font file or font suitcase to this application's icon, a window shows the name and kind (such as TrueType) of the font, as well as the alphabet in the characters of the font itself. In addition, two pop-up menus allow you to see this display in different styles (bold or italic, for example) and sizes. If the file you opened is a font suitcase that contains multiple fonts, the Font pop-up menu allows you to choose among the fonts in the suitcase.
You can go one better, however. When you double-click a font file, it can launch X Font Info, coming close to duplicating the Mac OS 9 Finder effect. To do this, follow these steps:
- Select almost any TrueType font in the Mac OS X /Library or /System/Library folder.
- Press Command-I to open the Show Info window for the font.
- Choose Open with Application from the pop-up menu in the Show Info window. The default application listed will likely be Finder, nothing, or (amazingly!) the old pre-Mac OS 9 Font/DA Mover 4.1.
- Click the box next to the application name and choose Other from the pop-up menu.
- From the pop-up menu list, choose X Font Info as the new application. If X Font Info is not in the list, select the 'Other..' item to locate it.
- Click the Change All button so that all font files of the same type also open with this application.
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Now, any similar font files that you double-click should launch X Font Info and display the font. If you selected an Mac OS 9-style TrueType font initially, this technique probably will not affect TrueType .dfont files. If so, simply repeat the procedure after selecting a .dfont file.
Overall, this method has worked well for me. There is a chance, however, that some font files may not display their Finder icon after you do this. And I have heard one report that this conversion prevented some fonts from being displayed in Microsoft Word and perhaps other applications. But this problem has never happened for me.
Figure 4.16 The 'Open with application' option in a font file's Show Info window.
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Close Remixes Of The Third Kind Mac Os 11
Figure 4.17 The X Font Info window.